Sunday, 2 October 2011

More eye candy


the Camden Basement..ment..ment..ment [echoes!],
men wear check please
(l to r, Sophie Gilpin, Matt Penfold, Bridget Collins, Mark Hoskin & Fran Gilpin)
 
Les belles costumieres! Di (the blonde) and Patsy (the brunette)
 - bless ya girls


Alison Fielding (a sick, sick Regan - in a sorta good way)


Kent, on thy life - put the bloody camera down,
Michael Elliott; the eponymous King


Gloucester (Humphrey Skett), feeling a bit dickey
 
Pippa Middlehurst, Stage Manager -
please learn your
lines and shush shush shush!

Goneril (Jenny McQueen) - Albany you
fool, can't you see what she's up to?

An officer and a gentleman - Derek Hollweg -
hangs about on the heath though so not completely kosher....
see Act III


Where the f....!!
Fran Gilpin, Director TTC's King Lear

Our noble Prince of Burgundy - Ed!
(Ed 'the Edster' Jones) - far too white a smile!


Sunday 2nd October

Tis Sunday, we are straight into a stagger through of Acts 1 & 2 after a spot of lunch so this qualifies as a 'real-time' post. However I'm starving so I can't write too much - I've just witnessed a strangling, I cannot divulge who that the poor soul was, I've also seen another eye gouging - I think we all know who that poor soul is; yet my appetite is as keen as ever - speaking of which I invite you when you attend the performance "as fear not but you shall" (Kent: Act III, Sc.i) to pay attention to the dark and fantastic emotions that appear to be coursing through Regan's very being during the jelly-outing.... tis sick sirrahs, sick.

Safe 'scape the King

Saturday, 1 October 2011

High Rocks photoshoot courtesy of Detective Inspector Byers (aka 'costumier to the stars').

The Lear family (l to r) - Cordelia (Bridget Collins), Goneril (Jenny McQueen),
King Lear (Michael Elliott) & Regan (Alison Fielding)

'Lampshade falls on hippy's head'

Some bags

Hang on, is my calendar wonky?

It is October. It is performance month .... are any of the cast tempted to approach Fran or Sophie with a Private Godfrey-like "I say do you think I might be excused Captain Mainwaring only my sister Dolly has baked a rather nice Victoria sponge and insisted I get back in time for tea" ......... No? Me neither, they are all raring to go, chomping at the bit like a stableful of thoroughbreds, all sleek, shiney, rippling, quivering, snorting (by the way these are not Laban techniques), hooves a-clattering and scraping at the soiled straw; soiled straw?? Ah yes, nerves, they're just around the corner but, for me, welcomed with open arms. First, those performance nerves help focus the mind sharpen up the wit, second, once you get to the stage are there many better feelings than standing in the wings listening to the audience chatter while you mentally hammer home that opening line in your head over and over and over, cos surely if you can get that right it'll all be good, cock it up and you'll be weighed down by its miserable sense of self importance; its wounded pride dogging you round the stage for the next few vile hours of your detested life. First bloody line - always has an overinflated ego the bugger. Then some shift in the light or the music and on we go .... body tight, quivering and lustful, such erotic terror!

Least that's what my old Nan used to say about it.

We rehearsed at the Memorial Hall in Frant this morning, a gorgeous setting adjacent to the green and a wonderfully sunny day, all quite at odds with the horror that was taking place within the hall; Cornwall tearing the vile jellies from Gloucester's head, a degenerate Regan urging his every gouge, it looked very good actually and I fancy the audience won't be proud of their enjoyment of it! The King and his girls, Cordelia (good), Goneril (bad) and Regan (badder) were off to the High Rocks afterward for a photo shoot so we'll try and get some of those onto the blog in the next few days if possible (copyrights and all that precious stuff!). Tomorrow - Sunday, a day of rest, bloody Directors, these coalitions are all the same - we've a full run of Acts 1 to 3 which will be a useful gauge of how well we're absorbing these lines and moves. I feel very smug as I've a few days gap in rehearsals after that run. Mind you, the number of rehearsals till curtain up can be counted on the fingers of two hands now; and that's enough to make you soil some more straw!

Adieu for now Sirrahs

Monday, 26 September 2011

Lovely pictures Kent. Good job
Having such fun back at rehearsals after a long break for me. Last weeks Laban efforts were great. Dabbing, flicking, swishing, pressing. My poor kids had no idea what was going on as I skipped round the house practicing. It was the wringing that worried them the most!
Now getting stuck into the play and can't wait to slash,press and flick my way around the blinding of Gloucester scene!
see you all on Saturday. good luck with rehearsals. fab work darlings xxx
Ali ( Reagan)

A director's snapshot


With a week’s worth of staging rehearsals under our belts, I realize that after tonight’s session, we will have reached the interval. How is that possible? We’ve been zipping through the scenes at a gallop and I’ve been amazed at how well the cast has developed their own characters and reactions to each other. The weeks of ‘character development’, ‘text workshops, ‘movement workshops’ and general hard graft before looking at the play itself have definitely paid off – if any of the actors were dubious about their value (and I think there were some doubting Thomases….), I hope they see the benefit now!
My overall plan is to set the architecture and dramatic narrative of each scene as quickly as possible and then go back and work and re-work to pull out the detail….with only three weeks to go, it’s a big ask from everybody but all are rising to the challenge. The tension in the room yesterday when Goneril and Regan reduce Lear’s group of followers from 50 to 0 in a couple of lines was palpable…Lear’s reaction heartbreaking.
More of this please!!
Francesca
Director

Quickie from Kent

Fellow Rogues,

A word about the inherently funny [Collins, 2011] coxcomb

  • the Fool's Coxcomb pops up 7 times in our text

  • an alternative spelling of coxcomb is cockscomb
1. a boy chicken

  • it refers to the cap worn by a jester which resembles a cock's comb (as in a boy-chicken's hair)

  • we may run with a symbolic coxcomb for our Fool, perhaps a wavey-aroundy-thingy on a stick 
                     



2. a Fool or Jester's coxcomb





3. a little bit creepy to be honest....
                   

There we are then, Coxcomb - I just wanted to straighten that out for anyone else who didn't have a firm grip on ...... [that's enough now, Ed].
Kent